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Read Now: House of the Dragon: Everything You Need to Know About the Game of Thrones Prequel – 101 Latest News

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Those ominous violins ringing in your ears? That’s the sound of a Red Wedding–level event looming on the pop-culture horizon: Game of Thrones, reborn.
Three years after signing off the air, the Thrones franchise returns to HBO in the form of House of the Dragon, debuting August 21. Set roughly two centuries before Daenerys Targaryen’s determined pursuit of the Iron Throne, House of the Dragon centers on the erstwhile Khaleesi’s ancestors: House Targaryen, the dragon-riding dynasty that reigned over Westeros until their near-extinction just before Game of Thrones’ opening acts.
Once upon a time, the prospect of another show set within author George R.R. Martin’s brutal fantasy universe was among the soundest decisions in the business. In the wake of Game of Thrones’ divisive ending, it’s still sound enough to move forward—but perhaps not without the sound of “The Rains of Castamere” faintly humming in the background.
Still, there are several reasons why the Thrones devotee who felt burned (sorry) by the show’s ending should feel more optimistic about HBO’s next act of fire and blood. As for the fans in the back of the house who still love Game of Thrones, warts and all, there’s a glorious feast on its way. And for complete franchise newcomers who somehow never pulled into the world of Westeros? A prequel with few narrative ties to the original series, House is wide open for you as well. No matter where you fall, here’s everything you need to know heading into House of the Dragon.
Heir to the Throne
Here’s news that’s either good or bad depending on how the show ultimately landed with you: Game of Thrones executive producers and creators David Benioff and D.B. Weiss are not involved in House of the Dragon. Instead, Dragon springs from the minds of coshowrunners Ryan J. Condal and Miguel Sapochnik, with series cocreator Martin himself serving as a hands-on executive producer.
Both Condal and Sapochnik come to HBO’s first Thrones successor (at least, the first to make it to air) with impressive feathers in their cap. Sapochnik directed some of the most celebrated episodes of Game of Thrones, including the war-movie caliber “Battle of the Bastards” and the riveting season six finale, “The Winds of Winter.” Bombastic as both of those episodes were, they were also deeply rooted in characters’ points of view, complete with stunning thematic-driven imagery—such as the snowfall in Westeros signaling the arrival of the much-hyped winter. With some other major credits including an episode of Netflix’s big-budget Altered Carbon, Sapochnik shows up here as one of the most experienced filmmakers Westeros has ever known.
House of the Dragon’s other showrunner arrives with the seal of approval from Westeros’s one true king: George R.R. Martin himself, who handpicked Condal for the job. A huge fan of the Song of Ice and Fire novel series, Condal sports the intimate book loyalist’s perspective, and a stated desire to adhere closely to Martin’s written narrative.
If Condal’s Flea Bottom street cred isn’t enough on its own, consider his and Carlton Cuse’s tragically short-lived and overlooked USA Network sci-fi series, Colony, about humanity’s struggle to survive an alien-occupied Earth. The Josh Holloway–starring show explored a grand concept through a deeply personal lens, loaded with the grandeur and casual barbarity expected from the Targaryens (and the harsh treatment toward its cast one would expect from Thrones itself). Add the lessons learned from that hidden gem to the equation, and House of the Dragon appears to be in very good hands.
Book of the Dragon
Condal’s adherence to the written Westeros word might strike some as funny, considering the running joke around these parts: Martin’s books are still not finished, with his sixth and penultimate book in the Ice and Fire saga, The Winds of Winter, yet to be published. Of course, the author insists he’s still plugging away, with one recent update offering a relatively optimistic outlook on the book’s status. In the case of House of the Dragon, though, these future winds are beside the point.
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